Netflix's Hunt for “Cheaper Content” Pushes It Away From Renewing Shows, Says Kayla Cobb

Published 07/09/2026, 9:20 PM EDT

via Imago

Netflix's content strategy appears to be entering a new phase, with TheWrap's senior TV reporter Kayla Cobb suggesting that the streamer's focus on lower-cost programming could influence which original shows return for additional seasons. She believes the streaming giant's evolving content strategy could make expensive, prestige series a tougher sell than they once were.

Cobb's comments come as Netflix continues to diversify its slate beyond scripted originals. Alongside films and series, the platform has expanded into live events, podcasts, and other forms of content that can attract viewers without the same production costs.

If that shift continues, what could it mean for the future of Netflix's original shows and their chances of returning for another season?

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Why Kayla Cobb believes Netflix is moving away from renewing shows?

Speaking during a discussion at TheWrap, Kayla Cobb argued that Netflix's recent investment choices suggest the company is shifting away from expensive prestige programming. Instead, she pointed to its growing focus on lower-cost formats that can keep viewers engaged without requiring the same level of financial commitment.

"It's a lot of podcasts. It's a lot of live events... they're focusing on cheaper content than they have been in years past," Cobb said. She continued that Netflix's recent partnerships and investments indicate a broader change in strategy. 

Rather than relying primarily on costly scripted originals, she believes the streamer is increasingly diversifying into formats that are less expensive to produce. Cobb argued that this shift could also influence how Netflix approaches renewals. If viewers continue spending time on the platform through a wider mix of content, the company may feel less pressure to keep investing in expensive returning series.

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That perspective also helps explain why Netflix faces a different challenge than many of its streaming rivals. According to Cobb, maintaining excitement around returning shows becomes far more complicated when the platform is trying to serve millions of viewers with vastly different interests.

How Netflix's changing strategy could reshape original programming?

Kayla Cobb highlighted Severance as an example of a series that successfully maintained audience excitement during a lengthy gap between seasons. She credited Apple with making a concentrated marketing effort to keep the show's fan base engaged until its return.

Cobb argued that repeating that strategy across dozens of major originals is far more difficult for Netflix because of the sheer size and variety of its content library. As a service aiming to offer something for every type of viewer, maintaining that level of attention for every returning series may not be practical.

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"We're seeing a big shift in Netflix," Cobb contrasted Netflix's approach with Apple's handling of shows like Severance, where Apple invested heavily in keeping audiences engaged during the long gaps between seasons. She suggested that such concentrated marketing efforts are much harder for Netflix to replicate across its vast slate of originals.

According to Cobb, Netflix's challenge stems from its scale. As a platform trying to cater to every type of viewer, it may be more practical to spread its investments across a wider range of content than devote substantial resources to sustaining momentum for individual returning series, a strategy that comes as streaming competition continues to evolve ahead of this year's Emmy nominations.

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Do you think Netflix's changing content strategy will affect the future of its original shows? Let us know in the comments!

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Aarav Poonia

196 articles

Aarav Poonia is an Entertainment Writer at Netflix Junkie, covering films and series across Hollywood, and global cinema. With a Bachelor’s degree in Filmmaking, specializing in Direction and Screenplay Writing, he brings a strong understanding of storytelling and screen craft to his work. His experience includes writing film reviews, industry updates, and editorial features, alongside developing multiple short fiction screenplays.

Edited By: Itti Mahajan

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