“We’re Going to Greece”- Lily Collins Teases ‘New Energy’ in ‘Emily in Paris’ Season 6

Published 04/18/2026, 3:15 PM EDT

Emily in Paris has thrived on the alchemy of aspiration and awkwardness, an American POV filtered through Parisian hauteur and over five seasons, it is quietly evolved from a pastel-toned fish-out-of-water romp into a self-aware, globe-trotting character study. What began as Emily Cooper decoding the codes of Paris, office politics at Savoir, the tyranny of Instagram aesthetics, and the unspoken rules of French romance, has expanded into a layered narrative where the city itself feels like a co-conspirator. 

From Season 1’s algorithm-friendly optimism to Season 5’s more fragmented, almost cinematic detours (Rome, anyone?) the show has sharpened its tone. With Season 6 already announced, where is Emily’s next stop? Well, Lily Collins may have an answer.

Lily Collins hopes for “New Energy” for Season 6

ADVERTISEMENT

Article continues below this ad

Speaking with Screenrant at the PaleyFest 2026, Lily Collins framed Season 6 as a creative reset rather than a continuation. After years of playing within the familiar rhythms of Parisian life, espresso-fueled mornings, agency drama, and romantic misfires, Collins hinted that the writers are actively disrupting that pattern. 

“That Emily has... It's a new energy I'm excited about. They surprise us in the writers' room. To see what we do. What are we going to do in Greece? Is there a smashing of a plate?”, she shared.

Netflix, for its part, has already set the wheels in motion. The streamer confirmed the renewal on January 5, with a tongue-in-cheek video of Collins blowing out a six-shaped candle on a croissant, peak Emily in Paris branding. Production is slated to begin in May 2026, aligning with the show’s now-familiar cadence of quick turnarounds. Even Ted Sarandos has publicly backed the series, noting its household appeal, an understated nod to its global stickiness.

Is ‘Emily in Paris’ Season 6 Happening? Here’s Everything You Need to Know After Season 5’s 13.5M-View Debut

Then there is the question the show keeps flirting with but never quite answers: who, if anyone, is endgame? Season 5 closed like a postcard you are not sure how to read. And Season 6 feels poised to either finally commit or double down on ambiguity.

Love, triangles, and the return of “What If”

The series still orbits Emily’s romantic entanglements. Her history with Gabriel (Lucas Bravo) remains the show’s gravitational center, even when he is physically absent. Add Alfie (Lucien Laviscount) and the more recent wildcard Marcello (Eugenio Franceschini), and you get a romantic topology. Season 5’s Roman detour with Marcello offered a brief illusion of clarity, only to dissolve under the weight of geography and ambition.

ADVERTISEMENT

Article continues below this ad

Behind the scenes, the creative team has been clear: Gabriel is not going anywhere. As director Andrew Fleming noted, his chemistry with Emily is “very watchable” industry shorthand for lightning in a bottle. Even Darren Star emphasized that Season 5 deliberately sidelined that dynamic to let other arcs breathe. The implication? Season 6 may recalibrate, bringing that central tension back into focus without rushing resolution.

The final image of Season 5, Gabriel in Greece, penning a postcard invitation. Will Emily go? Should she? And if she does, is it for him or for herself? In the end, Emily in Paris has always been about the push-pull between fantasy and feeling. Season 6 looks ready to test that balance in a new key.

Lisbon Mayor Invites Netflix to Film 'Emily in Paris' in His City: Could the Hit Show Be Headed to Portugal Next?

ADVERTISEMENT

Article continues below this ad

What do you think? Should the story lean into Greece as a full reset, or return to Parisian roots? Share your take in the comments.

SHARE THIS ARTICLE :

ADVERTISEMENT

Sarah Ansari

484 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Hriddhi Maitra

ADVERTISEMENT

EDITORS' PICK