'Stranger Things' Star Charlie Heaton Joins ‘Peaky Blinders' Sequel Cast Alongside Cillian Murphy and More

Published 05/24/2026, 10:36 AM EDT

via Imago

Charlie Heaton first became a household name as Jonathan Byers in Netflix’s Stranger Things, a role that showcased his knack for playing intense, quietly resilient characters in a genre-blending world of supernatural horror and 1980s nostalgia. Maintaining the Netflix streak, Heaton has now joined the Peaky Blinders universe as none other than Thomas Shelby's own son, Charles Shelby. In fact, ever since bidding Stranger Things goodbye, Heaton has built a reputation for gravitating toward psychologically complex parts like these.

Whether in crime dramas, coming-of-age stories, or sci-fi tinged projects, earning a following that appreciates his understated intensity and emotional precision.

Now, he is stepping into the gritty universe of Peaky Blinders, marking a striking shift from American small-town tension to British post-war criminality.

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A new Shelby at the center of a generational shift

In the untitled Peaky Blinders sequel, Heaton takes on the role of Charles Shelby, the youngest son of Cillian Murphy’s Tommy Shelby, a character properly introduced in the film The Immortal Man, after appearing as a child in the original series. The story is set in 1950s Birmingham, where Charles is trying to carve out a life that feels removed from the violence that defined his upbringing. His attempt at normalcy forms the emotional core of a narrative built on legacy and consequence.

The premise leans heavily on the idea that the Shelby name carries a weight that cannot be easily discarded. Charles has distanced himself from the gang and its excesses, but the world around him continues to pull him back toward unfinished business. That internal struggle places Heaton in a role that demands restraint as much as intensity, aligning with the actor’s established strengths.

Production is underway in Birmingham, with plans for the series to premiere on BBC iPlayer and BBC One before streaming globally on Netflix. The setup signals a continuation of the Shelby legacy while shifting the focus toward a more reflective and fractured generation.

'Peaky Blinders: The Immortal Man' Review— Cillian Murphy Steers a Dark, Emotional Farewell to Tommy Shelby

As the family legacy tightens its grip, the wider ensemble begins to shape the scale of this next chapter.

A broadened ensemble reshapes the Peaky Blinders world

Beyond Charlie Heaton, the sequel builds its momentum around a cast anchored by Jamie Bell’s Duke Shelby, now positioned as a more hardened and calculating figure. The roles, previously explored by Conrad Khan and Barry Keoghan respectively in Peaky Blinders: The Immortal Man, evolve into a central force within a changing Birmingham. Duke’s trajectory reflects a city rebuilding itself while quietly slipping into new forms of power struggles.

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Jessica Brown Findlay, Lashana Lynch, and Lucy Karczewski round out the ensemble, though details about their characters remain under wraps. Their casting suggests a blend of refinement, grit, and unpredictability, qualities that have long defined the Peaky Blinders tone. Each addition hints at new alliances and rivalries that extend beyond the Shelby family’s immediate orbit.

This expanded cast points to a broader narrative scope, where institutions, social shifts, and competing factions begin to rival the family drama at the story’s core. The sequel appears poised to explore not just inheritance, but transformation, as Birmingham itself becomes a character shaped by ambition and conflict. In that context, Heaton’s Charles stands as both an outsider and a reluctant heir to a legacy he cannot fully escape.

Cillian Murphy’s 'Peaky Blinders: The Immortal Man' Tops US Netflix Charts Post UK Box Office Hit

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What do you think about Charlie Heaton joining the Peaky Blinders sequel and the new direction for the Shelby family? Let us know in the comments.

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Pratham Gurung

203 articles

If films shape personalities, Pratham was practically raised in a dark theater, pulling off twenty-four-hour movie marathons and falling into hour-long YouTube video essays at 3 a.m., his fascination with cinema never really having an off switch.

Edited By: Adiba Nizami

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