Paramount Accuses Netflix of ‘Panic-Level’ Campaign Tactics Against Warner Bros. Agreement

Published 06/09/2026, 4:59 PM EDT

via Imago

Netflix may have walked away from the bidding table, but the battle around Warner Bros. Discovery is far from over. Months after losing out to Paramount Skydance in the race for the media giant, Netflix now finds itself at the center of fresh accusations from its rival. As regulators scrutinize the proposed $111 billion Paramount-Warner Bros. Discovery merger, the dispute has evolved from a corporate bidding war into a broader fight over competition, content, and the future shape of Hollywood.

What began as a contest for scale in the streaming era is now becoming a public clash over influence. Paramount believes opposition to its blockbuster deal is not coming solely from labor groups or regulators. Instead, it argues that a much larger force is quietly working behind the scenes.

Paramount claims Netflix is trying to undermine the deal

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Paramount Skydance chief legal officer Makan Delrahim has accused Netflix of running what he described as a "panic-level response" and a "scorched-earth campaign" against the proposed Warner Bros. Discovery acquisition. In a June 5 letter to attorneys in the U.S. Department of Justice's Antitrust Division, Delrahim argued that Netflix is attempting to "poison regulators and other stakeholders" because it views a combined Paramount-WBD as a stronger competitor in the streaming marketplace.

According to Delrahim, Netflix has allegedly encouraged comparisons between the proposed merger and Disney's 2019 acquisition of 21st Century Fox, a deal critics often cite as an example of industry consolidation reducing competition and content diversity. 

Paramount rejects that comparison. Delrahim argued that claims linking large studio mergers to lower production output amount to a "sky is falling" narrative that does not reflect what actually occurred after Disney acquired Fox. Netflix, however, has strongly denied the allegations. A Netflix spokesperson told Variety that the claims are "absurd," emphasizing that Netflix exited the deal months ago and remains focused on its own business while leaving merger approval decisions to regulators.

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Paramount has pushed back forcefully, insisting that the combined company would increase production rather than reduce it and create more opportunities for labor groups through expanded film and television output.

Could these challenges affect the Warner Bros. Discovery deal?

The accusations arrive at a sensitive moment for the proposed merger. Regulators in both the United States and the United Kingdom are reviewing the transaction, with the U.K.'s Competition and Markets Authority already launching an investigation. In the U.S., Paramount is awaiting Department of Justice approval while several state attorneys general are reportedly exploring legal avenues that could challenge the deal on antitrust grounds.

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For Paramount, the core argument is simple. The company maintains that neither Paramount+ nor HBO Max has sufficient scale independently to compete effectively with streaming giants such as Netflix, Disney+, Hulu, and Amazon Prime Video. Executives have repeatedly argued that combining their libraries, production capabilities, and subscriber bases would create a stronger challenger capable of sustaining higher levels of content investment. 

As scrutiny grows from multiple directions, the approval process could become longer and more politically charged. The outcome will determine far more than ownership of Warner Bros. Discovery. It could help define how much consolidation regulators are willing to accept in an entertainment industry increasingly dominated by scale and global streaming power.

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What do you think? Should regulators approve the Paramount-Warner Bros. Discovery merger? Share your take in the comments.

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Sarah Ansari

678 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Hriddhi Maitra

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