Zendaya on Playing a Goddess in 'The Odyssey': ‘The Humanity Was Already on the Page’

Published 05/06/2026, 12:37 PM EDT

Zendaya, playing a goddess in Christopher Nolan’s The Odyssey, recently told Vogue that finding the character's humanity was simple because it was already present in the script. The transition from a desert warrior in the Dune trilogy to an Olympian goddess marks a defining moment in a career already reaching for the stars. In Christopher Nolan's epic reimagining of The Odyssey, the narrative follows the perilous journey of Odysseus as he struggles to return home following the fall of Troy. Zendaya takes on the formidable role of the goddess of wisdom and strategy, who serves as the primary protector of the hero.

The actress recently explained that the depth of her divine character was easily accessible because of the quality of the writing.

Zendaya in The Odyssey - The scripted path to humanity

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In an interview with Vogue, Zendaya revealed finding the transition into the role of Athena seamless due to the rich emotional layers embedded in the script. According to her, the goddess of strategy possessed a grounded nature that would allow viewers to connect with her divine influence. Moreover, rather than using her own system, the path to Athena seems to have been laid out for Zendaya beforehand. 

"The character's humanity was already on the page and is a big part of her story," the actress explained to Vogue. Zendaya suggested that Athena's relatability stems directly from the depth of Christopher Nolan's screenplay rather than external performance choices. She maintained that the goddess's human qualities are inherently woven into the narrative, ensuring her story resonates with the audience.

“I think it really depends on how the character was written, and I can't say too much about it because when you watch it, it will make more sense”, she said to Vogue. This approach ensures that the mythological figure remains the beating heart of the film's complex strategic maneuvers and supernatural conflicts.

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While the material provided by Christopher Nolan seems to offer a specific roadmap for portraying a legend without losing personal connection for Zendaya, yet another part of her portfolio showcases how she forges connections and beauty in her characters.

Chani's moral fortitude in the sands of Arrakis

Transitioning back from the heavens to the dunes, the evolution of Chani in the Dune trilogy highlights a different kind of strength. According to Zendaya’s description to Vogue, unlike the powerful figures surrounding her, Chani possesses no supernatural gifts or prophetic visions to guide her actions. She remains the moral compass of the story, driven solely by a deep desire to protect her people and her home planet.

“What's beautiful about the character is that, unlike many others, she doesn't have superhuman abilities. She doesn't foresee the future or control people. In the end, she's human and often acts as a moral compass in that world”, she said. Her character is defined by a refusal to be seduced by the absolute power that corrupts those around her. Zendaya appreciates that Chani chooses to dedicate her life to the greater good rather than seeking personal glory or control.

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No matter whether she is guiding an ancient hero or defending a desert world, her focus remains on authentic storytelling. This commitment to finding the human core in every role ensures that her performances resonate across different worlds and eras. By prioritizing the script and the character's inherent values, Zendaya continues to redefine what it means to be a modern cinematic icon.

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What do you think about Zendaya's thoughts about the human core in Athena? Let us know in the comments.

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Soma Mitra

1281 articles

Soma is a journalist at Netflix Junkie. With a postgraduate degree in Mass Communication, she brings production experience from documentary films like Chandua: Stories on Fabric. Covering the true crime and docu-drama beat, she turns psychological thrillers into sharp, audience-aware storytelling.

Edited By: Adiba Nizami

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