“They Want People to Take Risks”: Olivia Wilde Says Gen Z Is Driving Hollywood’s Creative Revival

Published 06/27/2026, 12:31 PM CDT

11th Annual LACMA Art And Film Gala 2022 – LA Olivia Wilde arrives at the 11th Annual LACMA Art Film Gala 2022 presented by Gucci held at the Los Angeles County Museum of Art on November 5, 2022 in Los Angeles, CA, USA. Photo by Xavier Collin/Image Press Agency/ABACAPRESS.COM Los Angeles CA United States PUBLICATIONxNOTxINxFRAxESPxUKxUSAxBELxPOL Copyright: xCollinxXavier/ImagexPressxAgencyxABACAx 830663_197 CollinxXavier/ImagexPressxAgencyxABACAx 830663_197

For a filmmaker who once seemed poised to become one of Hollywood's defining directing voices, it has been a relatively quiet stretch for Olivia Wilde. Following the intense discourse surrounding Don't Worry Darling in 2022, Wilde largely stepped away from the spotlight, making only select acting appearances while keeping her next creative move under wraps. Now, after that hiatus, the actress and director has returned to the conversation with renewed confidence thanks to her latest directorial effort, The Invite, an ensemble dramedy that already has awards season observers paying close attention.

For the renewed fervor she seems to have taken filmmaking this season, it could either be passion, or her noticing how the Gen-Z have not just been flocking, but taking over the movie halls as of late. 

Gen Z is proving that audiences still crave bold filmmaking as per Olivia Wilde

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If there is one conversation dominating Hollywood this year, it is the surprising resurgence of original theatrical films. Speaking to Variety, Olivia Wilde made it clear that she believes young audiences deserve far more credit than they have received for keeping movie theaters alive.

"They are driving this enthusiasm for authorship in filmmaking. They love ‘Backrooms’ and ‘Obsession.’ They’re here for it. They want people to take risks in movies because they appreciate that risk. The audience has never been the problem, and I think now we’re seeing studios recognize that." Wilde said.

Speaking to Variety, she continued by pointing to recent successes such as Obsession and Backrooms, saying Gen Z is actively supporting filmmakers willing to experiment with original ideas. According to Wilde, today's young moviegoers are driving both the box office and the renewed enthusiasm for auteur filmmaking because they value creative risks rather than formulaic entertainment.

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Her comments come as original films continue finding theatrical success, reinforcing the idea that fresh storytelling can still attract large crowds when studios are willing to take chances.

Can The Invite become another theatrical success story?

Olivia Wilde's own next project may serve as a real-world test of the philosophy she is championing. The Invite stars Wilde alongside Seth Rogen as a San Francisco couple whose relationship reaches a breaking point when they invite their unconventional neighbors, played by Penélope Cruz and Edward Norton, over for dinner. What begins as an intimate gathering gradually forces both couples to confront uncomfortable truths about marriage, desire, and emotional honesty.

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The film is an English-language adaptation of Cesc Gay's acclaimed 2020 Spanish film Sentimental, or The People Upstairs, itself based on his stage play. Rashida Jones and Will McCormack penned the screenplay, while producer David Permut has already revealed that a stage adaptation is in development. Following its Sundance premiere, A24 acquired the film for a reported $12 million, with Wilde previously explaining that she deliberately chose the studio over Netflix because she wanted the film to receive a traditional theatrical release. 

Wilde's return marks more than just another directing credit. It reflects a filmmaker reentering Hollywood at a moment when originality appears to be finding its audience once again.

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What do you think about Olivia Wilde's views on Gen Z and the future of theatrical cinema? Share your thoughts in the comments.

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Sarah Ansari

742 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Adiba Nizami

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