‘The Odyssey’ Keeps Conquering IMAX as Ticket Sales Soar Past $450M

Published 09/03/2026, 4:36 PM EDT

via Imago

Homer gave Odysseus a voyage measured in years, but Christopher Nolan may have found a modern equivalent in the theatrical odyssey of his own. The Odyssey has moved from ancient myth to a massive big-screen spectacle, built around IMAX cameras, 70mm film, and a scale few contemporary productions would even attempt.

Now, the film is charting another remarkable course, with its IMAX run becoming a box-office story almost as extraordinary as the one unfolding on screen. 

The Odyssey extends its historic IMAX reign

ADVERTISEMENT

Article continues below this ad

What began as a prestige bet on the theatrical power of IMAX has become something considerably bigger. The Odyssey has surged past $1.55 billion worldwide, an extraordinary result for an R-rated, nearly three-hour sword-and-sandal epic in an era when theatrical economics have become increasingly dependent on franchise familiarity. Its word-of-mouth momentum has helped turn Christopher Nolan’s adaptation of Homer into a genuine box-office juggernaut.

ANNE HATHAWAY and TOM HOLLAND in THE ODYSSEY (2026), directed by CHRISTOPHER NOLAN. Copyright: xSyncopyxProductionx xUniversalxPicturesx xAlbumx alb28505395

The IMAX story is even more striking. The film has now generated $457 million globally through IMAX, overtaking Avatar and its $271 million benchmark to become the format’s biggest release ever (via Variety). The 70mm IMAX footprint has been particularly extraordinary. Just 41 locations have generated tens of millions in ticket sales, demonstrating how scarcity can become part of the theatrical event rather than a limitation. 

“Greatest Movie Ever Made,”- Kevin McCarthy Bestows Great Praise for 'The Odyssey' in Front of Elliot Page

That demand has now earned The Odyssey an extended stay in Nolan’s preferred format, with IMAX 70mm engagements continuing through September 30. It gives the film an unusually long theatrical runway and keeps those coveted presentations in play well after its initial release window.

Christopher Nolan turns The Odyssey into an IMAX endurance test

Part of the fascination surrounding The Odyssey is that Christopher Nolan did not simply make a movie designed to look good in IMAX. He built the production around the format. The film is the first full-length theatrical release shot entirely with IMAX film cameras, rather than using the format only for selected sequences. 

Matt Damon, Christopher Nolan, Anne Hathaway at arrivals for THE ODYSSEY Premiere, AMC Lincoln Square 13, New York, NY, July 14, 2026. Photo By: Kristin Callahan Everett Collection THE ODYSSEY Premiere PUBLICATIONXNOTxINxCANxCHNxFRAxITAxJPNxNORxPOLxRUSxESPxUKxUSA

ADVERTISEMENT

Article continues below this ad

That distinction explains why the enormous screens feel so integral to the conversation surrounding the movie. Nolan and cinematographer Hoyte van Hoytema reportedly used 2.1 million feet of IMAX film during production, an almost wonderfully excessive figure that captures the director’s old-school commitment to physical filmmaking. IMAX says the pair also worked with the company on a new-generation camera and sound blimp to make the ambitious shoot possible. 

The Odyssey is therefore accomplishing more than another box-office milestone, it is also Nolan's best Oscar bet. It is making scarcity, spectacle and theatrical presentation part of its mythology, with IMAX becoming another chapter in its journey.

Every Box Office Record Christopher Nolan’s 'The Odyssey' Has Broken So Far

ADVERTISEMENT

Article continues below this ad

What do you think about The Odyssey continuing its record-breaking IMAX run? Share your thoughts in the comments.

SHARE THIS ARTICLE :

ADVERTISEMENT

Sarah Ansari

955 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Adiba Nizami

ADVERTISEMENT

EDITORS' PICK