'The Odyssey' Director Christopher Nolan Explains How An IMAX Film Reaches Theaters

Published 06/17/2026, 12:40 AM CDT

via Imago

Christopher Nolan has never been shy about his passion for large-format filmmaking, and with The Odyssey approaching its theatrical debut, the acclaimed director is once again shining a spotlight on the craftsmanship behind the IMAX moviegoing experience. While audiences often focus on what happens on screen, Nolan recently drew attention to the remarkable journey that takes place long before a film reaches theaters.

His comments offered a rare glimpse into a process that remains largely invisible to modern moviegoers, highlighting why he continues to champion traditional filmmaking techniques in a digital age.

That dedication to preserving cinema's most immersive format reveals just how much work goes into every frame before audiences finally see The Odyssey on the big screen.

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Christopher Nolan reveals the journey of an IMAX film from camera to theater for The Odyssey

Speaking during a 60 Minutes visit to FotoKem, one of the last major film laboratories capable of handling large-format productions, Christopher Nolan walked viewers through the intricate process that transforms exposed film into a theatrical presentation. After footage is shot, film negatives are transported to the lab, where technicians physically cut and assemble scenes by hand using splicing equipment. The completed negative is then used to create release prints through a photochemical process before being shipped to select theaters equipped to showcase the format at its highest quality.

"There will be 41 of those around the world where they've made from the original negative and it's a first generation point and the audience can sit there and watch it you know exactly how we shot it on IMAX for IMAX and showed on IMAX directly from the negative source," Nolan said.

The comment underscored Nolan's long-standing commitment to preserving the theatrical experience. By emphasizing screenings sourced directly from the original negative, the filmmaker highlighted the level of image quality and authenticity available in a select number of IMAX venues, offering audiences a presentation that closely reflects his original creative vision.

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That commitment to authenticity appears to be resonating with moviegoers long before the film's release.

Record-breaking demand signals massive anticipation for The Odyssey

Christopher Nolan's The Odyssey may still be weeks away from reaching theaters, but it has already secured a place in the record books. The British Film Institute recently revealed that the BFI IMAX sold an astonishing 28,000 tickets within 24 hours, generating £750,000 (nearly $1 million) and setting a new opening-day sales record for the venue.

The milestone surpassed previous benchmarks set by Denis Villeneuve's Dune: Part Two and Nolan's own Oppenheimer by a considerable margin. The excitement has not been limited to the United Kingdom either. Earlier ticket sales in the United States reportedly generated $3.4 million in a single day, overwhelming AMC's systems. In response to the unprecedented demand, the BFI IMAX has even scheduled 24-hour screenings throughout opening weekend, underscoring the extraordinary anticipation surrounding Nolan's adaptation of the legendary Greek epic.

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As opening day approaches, The Odyssey is proving that audiences remain eager for the kind of cinematic spectacle that Nolan has spent years championing. The film's record-breaking ticket sales suggest that moviegoers are especially excited to experience the epic in the premium large-format presentation the director has so passionately advocated.

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Are you planning to watch The Odyssey in IMAX 70mm? Let us know in the comments! 

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Karishma Dasgupta

484 articles

Karishma is an entertainment journalist at Netflix Junkie. She enjoys digging deep into stories and bringing clarity to the often fast-moving world of entertainment. She holds a double Master’s degree in Fashion Business Management and Digital Marketing.

Edited By: Aliza Siddiqui

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