Sylvester Stallone Biopic Comes Out Swinging With an 80% Rotten Tomatoes Score

Published 09/17/2026, 3:50 PM CDT

48th Toronto International Film Festival: In Conversation With Sylvester Stallone . Featuring: Sylvester Stallone Where: Toronto, Canada When: 15 Sep 2023 Credit: Captive Camera Cover Images Copyright: xx 53049204 EDITORIAL USE ONLY. NOT FOR USE BY NEWSPAPERS BASED IN THE UK.

Few Hollywood origin stories have the neat symmetry of Sylvester Stallone’s. Before Rocky became a cultural heavyweight, its creator was a struggling actor betting almost everything on a script about a struggling boxer. Today, Peter Farrelly’s I Play Rocky goes back to that precarious stretch of Stallone’s life, turning the making of the 1976 classic into its own underdog story; one that has landed with a whopping 80% on the Tomatometer.

With Anthony Ippolito stepping into Stallone’s shoes, the film arrives with plenty of history to live up to — and its first critical bell has already rung. 

I Play Rocky lands 80% on Rotten Tomatoes as critics weigh in

I Play Rocky currently holds an 80% Tomatometer score from 35 reviews on Rotten Tomatoes, giving Peter Farrelly’s biopic a sturdy early position ahead of its November theatrical release.

The early reactions are notably split between admiration for the film’s crowd-pleasing energy and reservations about its storytelling. Critics have repeatedly singled out Anthony Ippolito, with reviews describing his performance as magnetic and praising his ability to capture the younger Stallone. Others have found the film sentimental or too familiar in its approach to the Hollywood underdog formula.

Rocky (1976) - filmstill Rocky (1976) Sylvester Stallone - - - EDITORIAL USE ONLY Copyright: xCAP KFSx

That divide gives the score some useful context. I Play Rocky is not being treated as a radical reinvention of the biopic; its appeal, for many critics, lies in watching the story behind a movie that already knows how to make an audience root for the underdog.

Some reviews have even compared its uplifting effect to the original Rocky, while others argue that Farrelly leans too heavily on nostalgia, giving some form to the film before its limited theatrical release on November 13, 2026.

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Long before Rocky Balboa entered Philadelphia’s boxing ring, Stallone was fighting a very different battle: one involving Hollywood doors that kept refusing to open.

I Play Rocky revisits the moment Sylvester Stallone bet everything on himself

I Play Rocky focuses on the development and production of Rocky, following Sylvester Stallone as he attempts to get his screenplay made while insisting that he play the title character himself. The story captures the period when he was still an unknown actor, rather than the global star audiences would eventually associate with the name.

That distinction is central to this particular biopic. The film is not another chapter in Rocky Balboa’s fictional career; it is about the man who created him and the increasingly unlikely path that carried his script from an ambitious idea to a movie that would become a cultural phenomenon.

Entertainment Bilder des Tages September 14, 2022, Rome, Italy: Sylvester Stallone attends the Paramount plus channel blu carpet at Cinecittà studios. Rome Italy - ZUMAs197 20220914_zaa_s197_477 Copyright: xMarioxCartellix

With Anthony Ippolito portraying Stallone, the film also folds several real figures from that chapter into its story, including Carl Weathers, Sasha Czack, Frank Stallone Sr., Irwin Winkler, Robert Chartoff and John G. Avildsen. In other words, the punchline is already known. Rocky became Rocky. What I Play Rocky asks audiences to revisit is everything that had to go right before anyone knew that would happen.

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Does I Play Rocky's whopping RT scores excite? Let us know your thoughts in the comments. 

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Adiba Nizami

1091 articles

Adiba Nizami is a journalist at Netflix Junkie. Covering the Hollywood beat with a voice both sharp and stylish, she blends factual precision with a flair for wit. Her pieces often dissect celebrity narratives—both on-screen and off—through parasocial nuance and cultural relevance.

Edited By: Hriddhi Maitra

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