1 Year Later, Jon Bernthal’s Forgotten Prime Video Spy Thriller Is Finally Finding Its Audience

Published 08/21/2026, 2:09 PM EDT

The Odyssey New York Premiere Jon Bernthal attending The Odyssey New York Premiere held at the AMC Lincoln Square on July 14, 2026 in New York City, NY New York City AMC Lincoln Square NY USA

Jon Bernthal has always been an actor who can make danger feel lived-in, from The Walking Dead and The Punisher to Christopher Nolan’s The Odyssey. His latest role as Menelaus puts him inside one of 2026’s biggest cinematic spectacles. But while Bernthal is enjoying another major moment, one of his quieter recent appearances is getting a second look. 

Sometimes, streaming does what the theatrical window cannot: it digs a forgotten film out of the algorithm and gives it another life.

Jon Bernthal's forgotten thriller that streaming audiences are bringing back into focus

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The Amateur has become a sleeper hit after spending much of its theatrical run in the shadow of louder franchise fare. Released in April 2025, James Hawes’ espionage thriller arrived with Rami Malek, Laurence Fishburne, Rachel Brosnahan, and Jon Bernthal in its ensemble, yet its relatively modest theatrical footprint meant it never quite became the conversation piece its cast suggested. The film eventually grossed around $96 million worldwide against a reported $60 million budget, before moving into the streaming ecosystem where overlooked movies often get their second act. 

The Accountant (2016) - filmstill The Accountant (2016) Jon Bernthal - - -

Now, that second act is becoming increasingly visible. The appeal of The Amateur is not really the familiar spy-thriller machinery, but the way it turns the genre inside out. Charlie Heller is not Jason Bourne, Ethan Hunt or James Bond. He is a CIA decoder whose greatest weapon is his intellect, and whose transformation into a revenge-driven operative is fueled more by grief and obsession than physical prowess. 

Bernthal, meanwhile, brings the hard-edged authority that has become one of his trademarks, playing CIA operative Jackson O’Brien, also known as The Bear. 

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And that distinction may explain why the movie is finding a fresh audience now.

The Amateur turns the spy movie into a revenge story about brains, not brawn

Based on Robert Littell’s 1981 novel, The Amateur follows Charlie Heller, an intensely private CIA cryptographer working from a basement office at Langley. His life collapses when his wife, Sarah, is k***** in a t******** attack in London. When his superiors refuse to pursue those responsible, Charlie decides to force his way into the field, using his intelligence to track the people behind the attack. 

Los Angeles Premiere Of Columbia Pictures Spider-Man: Brand New Day HOLLYWOOD, LOS ANGELES, CALIFORNIA, USA - JULY 27: Jon Bernthal arrives at the Los Angeles Premiere Of Columbia Pictures Spider-Man: Brand New Day held at the Dolby Theatre at Ovation Hollywood on July 27, 2026 in Hollywood, Los Angeles, California, United States. Hollywood Dolby Theatre at Ovation Hollywood California United States Copyright: xXavierxCollin ImagexPressxAgencyx

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For Jon Bernthal, it is also another reminder of how comfortably he can move between bruising genre roles and more controlled dramatic performances. The actor has spent years building a career around characters who seem capable of exploding at any moment, but The Amateur uses that energy differently. His presence helps sell the institutional machinery surrounding Charlie, even when the story belongs to Malek.

A year on, The Amateur is proving that a theatrical underperformer does not necessarily stay forgotten. Sometimes the algorithm simply needs time to find the right audience. With its cerebral revenge story, strong ensemble and unconventional take on the spy genre, the film may finally be getting the second look it missed the first time around.

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What do you think of The Amateur and Jon Bernthal’s role in it? Share your thoughts in the comments.

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Sarah Ansari

903 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Adiba Nizami

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