“It Didn’t Stink Because…”- Steve Carell Reveals the Only Reason He Went Ahead With 'The Office'

Published 09/10/2026, 3:53 PM CDT

THE OFFICE, Rainn Wilson, Jenna Fischer, Steve Carell, John Krasinski, BJ Novak, (Season 2), 2005-, photo: Justin Lubin NBC Courtesy: Everett Collection NBC Courtesy Everett Collection !ACHTUNG AUFNAHMEDATUM GESCHÄTZT! PUBLICATIONXNOTxINxCANxCHNxFRAxITAxJPNxNORxPOLxRUSxESPxUKxUSA Copyright: xNBC CourtesyxEverettxCollectionx TCDOFFI EC019

Ricky Gervais’ British mockumentary, The Office, defied many of the sitcom tropes popular at the time. Rather than relying on a laugh track, the show left the awkward silences and deadpan reactions to land on their own. The result was a painfully authentic portrait of workplace life. The UK audience immediately connected with the mundane office politics, meaningless jargons, and the daily ritual of simply trying to make it through a dead-end job. Naturally, the pressure to recreate that same magic was daunting for the American cast, including Steve Carell. 

Carell recently revealed the one thing that he feels saved The Office’s American adaptation from becoming a sloppy copy of the original. 

Steve Carell on Why the US Office Worked

Steve Carell, popularly known as Michael Scott, delivered a speech during the dedication ceremony honoring Greg Daniels with a star on the Hollywood Walk of Fame on September 10. The actor shared how everyone advised him against doing The Office, because nobody believed it could be as good as the original. 

“Everyone told me not to do ‘The Office.’ [They said] it will not work. The original is too good. It is a waste of time. And mostly, it is just going to stink. And then a crazy thing happened. It didn’t stink because of Greg Daniels”. 

via Imago

Greg Daniels did not just work on the show. He developed it. He served as the original showrunner and then completely reinvented the series to succeed for American audiences. Without his specific vision, the American version likely would have been canceled after its rocky first season itself, with low ratings, mixed reviews, and a low test-screening score as well since it copied the UK version too closely. 

Kate Flannery Reveals ‘The Office’ Helped Her "Real-Life Jim and Pam" Romance, Calls Memoir a "Love Letter" to the Show

Nonetheless, Daniels engineered a few shifts in the characters and the overall crew that made the show absolutely iconic. 

How Greg Daniels was the architect of The Office’s DNA

When The Office debuted, audiences hated Michael Scott because he was too mean. Greg Daniels, hence, gave Michael a redemption arc. Daniels systematically gave Michael Scott moments of genuine humanity and also showcased his talent as an excellent salesman. This eventually altered audience reception and fans began rooting for the same character they hated. Daniels also hired writers who played characters on screen, like Mindy Kaling. 

THE OFFICE, John Krasinski, Rainn Wilson, Parking , (Season 4, episode 4014, aired April 17, 2008), 2005-,. Photo: Chris Haston NBC courtesy everett collection NBC Courtesy Everett Collection !ACHTUNG AUFNAHMEDATUM GESCHÄTZT! PUBLICATIONXNOTxINxCANxCHNxFRAxITAxJPNxNORxPOLxRUSxESPxUKxUSA Copyright: xNBC CourtesyxEverettxCollectionx TCDOFFI EC131

The approach allowed the scripts to evolve organically around the cast’s individual comedic strengths. Lastly, unlike the British original, Daniels also made sure to focus on the background characters, instead of keeping them anonymous. It is understandable why Steve Carell credited Daniels for making the show not “stink” after all. 

“We Thought It Was Happening!”- Jenna Fischer Recalls 'The Office’ Cast’s Hilarious Paparazzi Moment

What do you think about Steve Carell’s speech? Let us know in the comments!

SHARE THIS ARTICLE :

Hriddhi Maitra

2308 articles

Hriddhi Maitra is an Entertainment Journalist and Primary Editor at Netflix Junkie. With over 2,000 articles under her belt, she blends her English Literature background with a flair for turning streaming trends into engaging, reference-rich stories. Hriddhi's sharp editorial instincts and versatility across genres make her a go-to voice for everything from on-screen drama to deep-dive cultural commentary.

Edited By: Adiba Nizami

EDITORS' PICK