“I’d Love to Do That”- Tom Cruise Turned a Childhood Dream Into a 145 MPH Stunt

Published 09/01/2026, 2:30 PM EDT

via Imago

Tom Cruise dreamed of wing walking as a child, long before Hollywood turned his appetite for danger into a signature. From hanging off an airplane in Mission: Impossible – Rogue Nation to scaling the Burj Khalifa in Ghost Protocol, Cruise has made practical stunts part of his cinematic identity. Now, his latest aerial feat reveals that some of his most outrageous ideas began with childhood fascinations.

There is something wonderfully Cruise-like about seeing an old black-and-white image and deciding, decades later, to make it real.

Tom Cruise finally chased his childhood Wing-Walking dream

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Tom Cruise revealed that his decision to take on a 145 mph wing-walking stunt in Mission: Impossible – The Final Reckoning can be traced back to a childhood fascination with early aviation daredevils. Speaking on The Tonight Show Starring Jimmy Fallon in 2025, after the release of The Final Reckoning, Cruise recalled watching black-and-white footage of wing walkers as a child.

“I remember seeing black and white footage of the very early days of wing walking and I just thought, ‘I’d love to do that.’ I was a little kid,” he explained. 

Tom Cruise at the press conference for Jerry Bruckheimer Adds Handprints and Footprints to GraumanÂâ€s Chinese Theatre, GraumanÂâ€s Chinese Theatre, Los Angeles, CA May 17, 2010. Photo By: Michael Germana Everett Collection For usage credit please use; Michael Germana Everett Collection !ACHTUNG AUFNAHMEDATUM GESCHÄTZT! PUBLICATIONXNOTxINxCANxCHNxFRAxITAxJPNxNORxPOLxRUSxESPxUKxUSA

That childhood wish eventually became a real stunt decades later, with Cruise and his team figuring out how he could move between the aircraft wings and experience a moment of zero gravity. The sequence continues Cruise’s long-running commitment to practical filmmaking, following the motorcycle cliff jump in Dead Reckoning, the HALO jump in Fallout, and his famous exterior airplane sequence in Rogue Nation.

“I don’t know if you’ve ever had your hand outside a window going about 145 miles an hour,” Cruise told Fallon, comparing the sensation with experiencing the same force at 60 mph. “It was pretty intense, I gotta say," he said on The Tonight Show Starring Jimmy Fallon. 

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The timing is particularly fitting because Cruise is once again returning to a franchise rooted in velocity.

Tom Cruise is returning to the fast lane with Anne Hathaway

Nearly four decades after Days of Thunder put Cruise behind the wheel as Cole Trickle, the actor is returning to the NASCAR world. Paramount has set the sequel for June 2, 2028, with Anne Hathaway joining Tom Cruise as a race team owner and engineer. Jonathan Levine will direct from a script by Will Staples, while Cruise, Jerry Bruckheimer and Tommy Harper are producing. The movie is also being prepared for IMAX and other premium theatrical formats. 

David Beckham Honored With Star On Hollywood Walk Of Fame Tom Cruise at David Beckham Star Ceremony on Hollywood Blvd. on June 12, 2026 in Hollywood, CA. Hollywood Hollywood Blvd. California USA

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The connection between Cole Trickle and Ethan Hunt is easy to spot. Both characters belong to Cruise's particular brand of cinematic heroism, where control, velocity and sheer nerve become storytelling tools. With Hathaway entering the Days of Thunder universe, the sequel has another chance to recreate the visceral racing spectacle that made Tony Scott's 1990 original endure as a cult favorite among NASCAR fans. 

Cruise's wing-walking confession makes the larger career arc even more fascinating. The child who watched old footage and thought, “I’d love to do that,” grew into the movie star who actually did it.

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What do you think about Cruise turning a childhood dream into a 145 mph reality? Share your thoughts in the comments.

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Sarah Ansari

946 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Adiba Nizami

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