Heidi Klum made one of the most talked-about entrances at the Met Gala 2026, arriving under the Costume Art theme in a look that transformed her into what appeared to be a living marble sculpture. The veiled silhouette, stone-like finish, and heavy prosthetics gave the outfit a museum-quality presence while still allowing her to move fluidly on the carpet. The combination of latex, spandex, and detailed body paint created an uncanny illusion that immediately divided opinion online.

But her 2022 Halloween worm costume remains far more unsettling in comparison.

In 2022, Klum once again redefined Halloween spectacle with a transformation that blurred costume and performance art. The hyper-realistic earthworm look reshaped her entire body using full prosthetics, creating a segmented, fleshy form that was both technically impressive and visually disturbing.

The build reportedly took years of planning and hours of application, with her face blended into the design, making her nearly unrecognizable. Fully encased, she abandoned traditional posing and instead leaned into the creature’s physicality. Klum stayed in character throughout, lying on the floor and mimicking slow, grounded movements.

That commitment elevated the look beyond novelty into something immersive and difficult to ignore. The reaction was sharply divided. While many praised the craftsmanship, others found it deeply uncomfortable to watch. That tension ultimately defined its legacy.

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That same uneasy energy surfaced again at the 2026 Met Gala, where other celebrities embraced darker interpretations of fashion.

The Met Gala 2026 leaned heavily into spectacle, but some looks moved beyond theatricality into something more unsettling. Jordan Roth appeared in a custom Robert Wun ensemble that turned him into a living sculpture, complete with a second figure attached to his body. The frozen “shadow” form created an eerie illusion, as if motion had been captured and held in place.

It looked like a haunting stillness that lingered long after the first glance. That feeling continued with Gwendoline Christie, who wore a Giles Deacon dress and carried a mask of her own face created by Gillian Wearing. The duplicated identity added a disorienting layer to an already theatrical presentation. Together, these appearances pushed the red carpet into performance art territory.

They reflected a version of fashion in which beauty and discomfort exist side by side, echoing the reaction Heidi Klum once provoked in a far more extreme form.

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What do you think was creepier, Heidhi Klum’s worm or the Met Gala looks? Let us know in the comments.