Hideo Kojima has handed Supergirl perhaps its most unexpected compliment yet. While much of the internet rushed to compare the film to Mad Max: Fury Road, the legendary game creator saw something entirely different. Kojima likened it to The Good, the Bad and the Ugly, arguing that heroes, villains, and everyone in between are constantly converging toward one destination. It is a fascinating lens for a film that has split critics and audiences as dramatically as Moses parting the Red Sea, with reviewers questioning its script while moviegoers embraced Milly Alcock's spirited performance.

For a man who insists that "70% of my body is made of movies," Kojima found a cinematic angle that most viewers never even thought to chase.

Hideo Kojima watched Supergirl and politely ignored the crowd's homework.  After watching the film in IMAX, the legendary game creator shared his thoughts on his X account, arguing that audiences had been looking in the wrong direction. Rather than another conventional superhero spectacle, Kojima believed the film was telling a far more intimate story about healing, identity, and emotional survival, and gave more The Good, the Bad and the Ugly rather than Mad Max: Fury Road.

"It was a coming-of-age story about saving oneself, Kara, as she struggles with her own trauma," That observation lands because Kara Zor-El is defined by grief from the very beginning. Unlike Superman, who found love and stability on Earth, Kara witnessed Krypton's destruction and carries those scars across the galaxy while helping a young alien pursue vengeance against the man who shattered her family.

Kojima's comparison to The Good, the Bad and the Ugly also clicks because Supergirl wears its space western influences proudly. Instead of dusty deserts, Craig Gillespie stages the story across alien cantinas, barren planets, and dangerous frontiers. Kara and Ruthye spend much of the film tracking Matthias Schoenaerts' Krem of the Yellow Hills through the galaxy, turning the story into a relentless revenge chase rather than a straightforward superhero mission.

Just like the classic western, every major player is moving toward the same collision for a different reason. Milly Alcock's reluctant Kara seeks purpose beyond her grief, Eve Ridley's determined Ruthye wants justice for her murdered family, and Krem is simply trying to stay one step ahead. Those intersecting journeys are exactly what Kojima identified, making his comparison feel far more thoughtful than a surface-level genre reference.

‘Supergirl’ Is Falling Shorter Than Expected of DC’s Top-Grossing Superhero Hits in Box Office Debut

While fans unpack Kojima's Supergirl take and Kara's possible return in the next Superman film, they can also revisit the movies he wholeheartedly recommends.

If there is one thing Hideo Kojima does not hand out freely, it is glowing movie praise. When the celebrated game creator champions a film, fans know it has genuinely impressed one of modern entertainment's most passionate cinephiles. His recent favorites include Sinners, The Girl with the Needle, Conclave, Twilight of the Warriors: Walled In, Nosferatu, and Dune: Part Two, each earning enthusiastic admiration for everything from bold direction to unforgettable world-building.

That track record makes Kojima's opinion worth following, even when audiences disagree. Whether he is applauding Ryan Coogler's supernatural vision, Robert Eggers' hypnotic horror, or Denis Villeneuve's sprawling science fiction epic, Kojima rarely praises a film halfway. His thoughtful reading of Supergirl simply joins a growing collection of movies that earned an unmistakable thumbs-up from one of cinema's most discerning fans.

Do you agree with Hideo Kojima's take on Supergirl? Let us know in the comments!