Netflix Wants YouTube’s Biggest Stars, and YouTube Is Ready to Pay Millions to Stop It

Published 08/20/2026, 6:36 PM EDT

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YouTube and Netflix used to occupy different corners of the entertainment equation. YouTube was the endless creator-driven feed where audiences built parasocial relationships one upload at a time, while Netflix was the polished subscription library built around Hollywood studios and premium television. That equation has changed dramatically. 

YouTube says it has paid more than $100 billion to creators, artists and media companies over the past four years, while Nielsen data has shown YouTube commanding a larger share of connected-TV viewing than Netflix. Now Netflix is taking the next logical step: licensing and commissioning the very creator-led formats that helped make YouTube a television replacement in the first place. 

And YouTube appears to have decided that the best defense is not another algorithm tweak. It is a checkbook.

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YouTube is putting millions between Netflix and its biggest stars

According to Bloomberg News, YouTube is offering select popular channels multimillion-dollar incentives to keep their videos exclusive to the platform for defined periods. The proposals can take different forms, including direct financing for programming and giving creators access to portions of major brand deals. No creator agreements had been finalized at the time of Bloomberg's report, although YouTube was reportedly close to agreements with several partners. 

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That matters because YouTube has historically been the infrastructure underneath the creator economy rather than simply another buyer in it. The Partner Program has allowed creators to monetize an ongoing library through advertising, memberships and other revenue streams, while YouTube has increasingly built additional commercial machinery around brand partnerships and shopping. The company says more than 3 million creators participate in the Partner Program, and it has paid more than $100 billion to creators, artists and media companies over four years. 

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The fascinating part is that Netflix has already demonstrated why those habits are worth fighting over.

Netflix has started picking apart YouTube’s talent pipeline

Netflix does not need to recreate YouTube from scratch when it can simply rent the audience relationships YouTube creators have spent years building. The strategy has become increasingly visible through video podcasts and creator-led programming. Netflix partnered with Spotify to bring shows from The Ringer, including The Bill Simmons Podcast, The Rewatchables and The Big Picture, onto the service. It also struck an exclusive video partnership with iHeartMedia covering more than a dozen podcasts, including The Breakfast Club, My Favorite Murder and Dear Chelsea. 

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Then came the kind of deal that makes YouTube's latest move look considerably less theoretical. In May 2026, Jay Shetty moved full video episodes of On Purpose to Netflix and Spotify under a multiyear agreement reportedly worth as much as $100 million. Shetty had more than 5 million YouTube subscribers, although older episodes and promotional clips remained on his YouTube channel.  That distinction is important. Netflix does not necessarily have to empty a YouTube channel to damage YouTube's position. 

The Hot Ones experiment is another revealing example. Netflix launched Hot Ones: Extra Heat with Sean Evans in 2026, moving the format into Netflix's live events and tentpole ecosystem while the original YouTube series continued producing episodes. 

Which creators is YouTube really trying to keep?

The likely targets are not simply creators with enormous subscriber counts. The valuable creators are those whose channels already behave like miniature studios: established formats, recurring audiences, recognizable hosts, production teams, advertiser appeal and enough cultural relevance to move viewers between platforms. That explains why Netflix has been attracted to personalities ranging from podcasters and interview hosts to chefs and family creators.

Netflix's recent creator strategy has stretched across that entire spectrum. The streamer has licensed or partnered with creators including Nick DiGiovanni, Mythical Kitchen, Ms. Rachel, Mark Rober, Danny Go! and the Stokes Twins. The combined YouTube audiences attached to Netflix's creator deals have reportedly exceeded 500 million subscribers. 

Netflix Logo, Schriftzug, auf einem PC Monitor betrachtet No property release, No Trademark rights am 20.04.2022 in Siegen Deutschland. *** Netflix logo, lettering, viewed on a PC monitor No property release, No Trademark rights on 20 04 2022 in Siegen Germany

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Food creators are especially revealing because their programming already resembles television. Nick DiGiovanni reportedly brings more than 43 million YouTube subscribers, while Mythical Kitchen has more than 4 million. Their videos have a repeatable format, recognizable personalities and an enormous back catalogue, precisely the ingredients that make traditional television executives salivate. Netflix can license an established creator ecosystem rather than spending years developing one from scratch. 

If YouTube can convince its biggest creators that staying put is worth more than Netflix's second window, it could preserve the ecosystem that made both sides of this rivalry possible. If Netflix keeps pulling premium creator programming into its library, however, the lines between streamer, studio and social platform will become even harder to distinguish. 

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Which platform can give them a bigger future? What do you think? Share your thoughts in the comments.

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Sarah Ansari

899 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Hriddhi Maitra

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