Chris Martin’s 1999 ‘James Bond’ Theme Song Is Going Up for Auction

Published 06/30/2026, 3:46 PM EDT

Credits: Sophie Marceau & Perce Brosnan in James Bond (1999)/ @andrea_drea05 via X/ Production - Eon Productions, Metro-Goldwyn-Mayer/ Distribution - Metro-Goldwyn-Mayer, United International Pictures

Chris Martin & Coldplay once made a song for James Bond, but the song never saw the light of day. Nearly three decades later, that forgotten recording is finally stepping into the spotlight as it heads to auction. For fans who have traced both the evolution of the Bond franchise and Coldplay's remarkable ascent, it feels like opening a sealed time capsule from an era when both stories were still being written.

It is one of those fascinating alternate histories of pop culture where a single creative decision could have reshaped two iconic legacies. Instead of becoming another chapter in Bond's celebrated musical catalogue, the track remained tucked away, waiting for history to rediscover it.

Chris Martin's lost James Bond theme is finally resurfacing

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The story revolves around a 27 year old demo titled 'The World Is Not Enough', named after the 1999 Pierce Brosnan-led Bond film. According to auction details published by Wax Poetics, the recording was written for the film but was understood never to have been submitted to the filmmakers. Chris Martin himself acknowledged the band's long fascination with Bond during a 2021 interview with NME, revealing that Coldplay spent nearly two decades attempting to write Bond themes but never submitted them because, in his own words, they were "not very good.” 

The unheard demo features Martin singing over an acoustic arrangement and survives on a single cassette tape that is now being auctioned. At the time of publication, bidding had already reached $1,000, according to Variety. The cassette forms part of British producer Chris Allison's archive of early Coldplay recordings that predate the band's second EP, ‘The Blue Room’, which Allison produced before ‘Parachutes’ transformed Coldplay into one of the biggest bands in the world. The archive also includes original DAT mixes, alternate versions, demos, unreleased takes, and a previously unheard version of ‘We Never Change’. 

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The timing of this rediscovery feels especially fitting because the Bond franchise itself is standing at another historic crossroads. While a forgotten soundtrack from the Pierce Brosnan era is making headlines, the search for the next face of 007 continues to dominate conversations across Hollywood.

James Bond's future remains as mysterious as ever

The race to become the next James Bond has narrowed considerably over the past year. Earlier speculation surrounding Henry Cavill has largely faded, while Idris Elba has repeatedly ruled himself out of contention, leaving fans to debate a much slimmer pool of candidates. Jacob Elordi, Callum Turner, and Harris Dickinson continue to surface in industry conversations, yet longtime Bond casting director Debbie McWilliams has made it clear that none of them would be her choice.

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Speaking to The Independent, McWilliams argued that Bond should remain an enigma rather than a globally familiar celebrity. After spending four decades casting the franchise, including Timothy Dalton, Pierce Brosnan, and Daniel Craig, she believes audiences should know very little about the actor behind 007 before he takes on the tuxedo. McWilliams has since retired, meaning the responsibility now falls to casting director Nina Gold and director Denis Villeneuve following Amazon's acquisition of the franchise. 

For now, Bond's past is unexpectedly singing through an old cassette while his future remains hidden behind closed casting meetings. That contrast perfectly captures what has always made the franchise enduring. It constantly looks forward without forgetting the stories that almost happened.

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What do you think about Chris Martin's unreleased Bond theme finally reaching the public eye? Share your thoughts in the comments.

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Sarah Ansari

756 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Hriddhi Maitra

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