“A Falling Out, Me and Universal” – Madonna Blames the Studios for Derailing the Big Budget Biopic She Wanted

Published 06/22/2026, 5:11 PM EDT

via Imago

Madonna has lived a life that feels too cinematic to fit inside a single frame. The Queen of Pop turned songs like 'Like a Virgin,' 'Vogue,' 'Like a Prayer,' and 'Frozen' into cultural earthquakes, dominated MTV with headline-making visuals, and challenged social norms at every turn. Few artists have rewritten the rules of fame as often as Madonna. So when it was announced in 2022 that Emmy-winning actress Julia Garner would portray her in a major biopic, many expected a spectacle as ambitious as the woman herself. Instead, the project quietly stalled.

As it turns out, Madonna herself has now revealed why the long-anticipated film never made it past development.

Madonna reveals why her Universal biopic fell apart

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Speaking to Interview Magazine while appearing on its cover for the eleventh time, Madonna opened up about the collapse of the Universal Pictures project she spent years developing along with Julia Garner playing her. According to the singer, the issue came down to one thing: scale.

"I was supposed to make a movie about my life," she explained. 

Madonna also revealed that she spent two years writing the script and another two years working with Universal's producers on budgeting and casting. However, disagreements emerged over the film's budget. 

"We had a falling out, me and Universal, regarding budget because I needed—I’ve had an extraordinary life. I’ve had a huge life, so I needed a big budget. You know what I mean? " she said.

The timing of these revelations is notable. Madonna is currently promoting her highly anticipated club-focused studio album, ‘Confessions II’, on July 3, 2026, via Apple Music. Serving as a sequel to her 2005 hit record ‘Confessions on a Dance Floor’, the new project is produced alongside Stuart Price and features tracks like ‘I Feel So Free,’ ‘Bring Your Love,’ and ‘Love Sensation.’ The new Interview feature arrives as excitement builds around the project, which Madonna has previously teased.

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Like many Madonna eras, the biopic did not end with a final curtain call. It merely changed costumes. As the Queen of Pop returned to the dance floor with fresh music and old collaborators, the possibility of bringing her remarkable journey to screens large or small continued to linger in the background. 

Could Madonna still bring her story to Netflix?

Despite the setbacks, Madonna's comments suggest she never completely abandoned the idea of telling her story on screen. She revealed that she spent months trying to understand how a television series would work, meeting writers and searching for the right showrunner to help shape the project. Eventually, however, another creative calling pulled her away. 

“I started trying to understand how making a series would work. It’s a very, very different process. You have to meet a lot of writers and find the right showrunner, and I couldn’t find one…”, she expressed. 

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Madonna admitted that the Netflix project remained a possibility until very late in the process. In fact, she said the team finally found a writer she liked when she was already more than three-quarters of the way into making the new album. By then, music had reclaimed her attention.

For an artist whose career has always been defined by reinvention, the story of her biopic may not be over yet. Whether it arrives as a film, a series, or something entirely unexpected, Madonna's extraordinary journey still seems destined for the screen. 

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What do you think? Would you rather see Madonna's life adapted as a big-budget movie or a long-form streaming series? Share your thoughts in the comments.

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Sarah Ansari

722 articles

Sarah Ansari is an entertainment writer at Netflix Junkie, transitioning from four years in marketing and automotive journalism to storytelling-driven pop culture coverage. With a background in English Literature and experience writing across NFL, NASCAR, and NBA verticals, she brings a research-led, narrative-focused lens to film and television. Passionate about exploring how stories are crafted and why they resonate, Sarah unwinds through sketching, swimming, motorsports—and yearly winter Harry Potter marathons.

Edited By: Hriddhi Maitra

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